Best The Ghost Fields (Ruth Galloway series Book 7) By Elly Griffiths
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Ebook About “Ruth is a terrific character: unglamorous, smart, down-to-earth and completely believable.” — San Jose Mercury News “Readers will look forward to learning more about [Ruth Galloway].” — USA Today It’s a blazing hot summer in Norfolk when a construction crew unearths a downed American fighter plane from World War II with a body inside. Forensic archeologist Ruth Galloway determines that the skeleton couldn’t possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat long presumed dead — news that seems to frighten his descendants. Events are further complicated by a TV company that wants to make a film about Norfolk’s deserted air force bases, the so-called ghost fields, which the Blackstocks have converted into a pig farm. As production begins, Ruth notices a mysterious man loitering at Fred Blackstock’s memorial service. Then human bones are found on the family’s pig farm and the weather quickly turns. Can the team outrace a looming flood to find the killer? “Ruth Galloway is a captivating amateur sleuth — an inspired creation. I identified with her insecurities and struggles, and cheered her on.” — Louise Penny “An uncommon, down-to-earth heroine whose acute insight, wry humor, and depth of feeling make her a thoroughly engaging companion.” — Erin HartBook The Ghost Fields (Ruth Galloway series Book 7) Review :
I read all the Ruth Galloway mysteries the moment I can, and while this one has some nice moments, it's a bit too anodyne for my taste. It feels rushed, as if perhaps the novelty of writing about Ruth and her circle is wearing off for Elly Griffiths. The mystery -- never really a huge part of any Galloway book -- really takes a backseat in this one, and I'm afraid I don't think it's replaced by anything very compelling.If you are not familiar with this series, here's a quick non-spoiler summary: Ruth Galloway is a professor of archaeology at a university in Norfolk and lives in a house way out on the marshes, which she loves. She's a single parent and has several love interests who are also characters in the novels and usually involved in the mysteries themselves. There is also a policeman, Harry Nelson, and his group of officers who carry through from book to book in the series. The description of place is very evocative, and the archaeology is fascinating.That said, The Ghost Fields begins with an excellent premise -- a buried WWII warplane is uncovered, complete with skeletonized corpse in the pilot's seat who is not, it is immediately realized, actually the pilot! An old local family is involved, and what should be a nicely convoluted, historically based plot is underway.But somehow it never develops. We don't get a good feel for the type of people the Blackstocks are, despite the family tree at the front of the book and conversations among surviving family members. They seem to live in a vacuum. Bizarrely, one branch of the family has emigrated to Vermont and returns to England when the body is unearthed in the plane, but the significance of the immigration and any nuances between the British and American branches of the family are just not present. It doesn't matter, so why is it there?Another irritating aspect of this novel, and one that I haven't noticed in previous works of Griffiths, is silly editing errors. I am a broken record about the need for editors at publishing houses. Surely one of the advantages, in today's market, of being published by an actual house with editors is that someone will read your work and fix all those idiotic things you overlook in the mad rush to meet deadlines. But here we have, just a few pages into the novel (I mean, at least read the first few chapters, Houghton Mifflin -- your name is on this book!), Harry Nelson notes that the name of the field in which the plane is found is Devil's Hollow, and he thinks, "Jesus wept." On the very next page, he notices AGAIN that it's called Devil's Hollow, and this time thinks, "God help us." That's exactly the sort of thing a writer will overlook and a good editor can spot and delete in his/her sleep. There is a similar repetition with Ruth's "organizer handbag," which twice she observes is impossible to find anything in. Jarring things like this take the reader right out of the story.I think part of the problem may be that Griffiths is running out of real estate, literally. The Norfolk coast with its rising tides and vicious storms can only be mined so many times, and yet again we have flooding and blocked roads at the climax of this novel. It's been done before, both by Griffiths and by Ruth herself, and it's very hard to keep that kind of thing fresh and even probable. There's no suspense, either, in chasing Ruth around a house with a gun, as a villain does here -- we know now that she's a series heroine, and she's going to escape. More clever plot devices are in order!I admire Griffiths's books and I want them to continue, but I think they need a good re-think. (Not to mention a stern letter to the publisher.) The series is just beginning to get tired, and needs an injection of something really new. As wonderful as the setting is, it might need a vacation. Or perhaps it's Ruth herself, whose wonderful sort of phlegmatic personality is veering into dull complacency despite all her adventures with evildoers.Read The Ghost Fields if you are a fan of the series; you will want updates on all the characters you know. But don't make it the first Elly Griffiths you read. Find The Crossing Place for that, or the Janus Stone. They will hook you into the series! I always enjoy a Ruth Galloway novel, that's because Elly Griffiths is a superb author. The characters are always wonderfully developed, easy to get to know and yet they have a depth to them that you only get as you read story after story. Each new novel brings us even more information about characters that builds on your love or hate for them.In this particular novel we find Ruth working a dig at what they believe will turn out to be a Bronze Age Burial Site. They have discovered one body and believe that there will be more.While there on her dig another digger, this one a workman with a bulldozer uncovers a World War II plane and frighteningly enough finds the pilot still in the cockpit. That gives him quite a fright. He stops his work and contacts the authorities. Inspector Nelson is one of those to respond. He realizes that this is an unusual find since the plane is about 70 years old and yet the pilot still seems well preserved. As such he calls on Ruth to come take a look and give them an opinion.Ruth's opinion is that the body is to well preserved to have been in this plane the whole time, because the soil conditions would not favor the way the body has been preserved. This brings on some questions about who the pilot is, how did he get here, why does he seem well preserved, etc.The story evolves into quite the "who done it" murder mystery. I won't give away a lot of the plot as the fun in reading a Ruth Galloway novel is the building of the story. But lets just say that the pilot wasn't the pilot of that plane. Lets say he wasn't even suppose to be near that type of plane. He was also supposed to have died at sea in a larger plane crash. BUT, this plane and his body are found near the family Estate in Norfolk which brings all kinds of issues to the surface.This will not be the only murder that they will end up investigating. It will not be easy to figure out who all the players are, and to top it off Ruth's old friend Frank, will pop back into the scene to again film a TV show about the dig, the find and about Ruth.All in all you have several Romantic Stories working there way through (4 to be exact) as well as a couple of murders and a couple of attempted murders. The real question is why? As well as who? And the final question, What is the motive?All these will be answered and more will happen as well.Enjoy a great novel. 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